Why I draw the characters of my films? Why do I take graphic notes of their faces, of the noses, of the moustaches, of the ties, of the bags, of the way to cross the legs, of those people that come to visit me in the office?


Perhaps I have already told that it is a way to start watching the film in face, to see the type it is, the attempt to fix something, even though minuscule, to the limit of the nothingness, but that seems to have something to do with the film, and covertly it speaks to me.

Federico Fellini